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Performance: Aperture 221Envisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum
Envisioning the intersections of photography and performance. This issue, a collaboration between Aperture and Performa, the nonprofit organization dedicated to exploring the critical role of live performance in visual art, takes a capacious approach to considering the intersections of photography and performance. In the Words section, Tate curator Simon Baker traces the impulse to perform for the camera throughout photographic history; New Museum curator Lauren Cornell looks at how artists such as K8 Hardy, Juliana Huxtable, and Amalia Ulman use social media to calculated effect; Performa founder RoseLee Goldberg and MoMA curator Roxana Marcoci discuss performance, documentation, and the ways in which performances are crafted for the camera; and Kaelen Wilson-Goldie explores the lecture-performance form in the work of Lebanese artists Walid Raad, Rabih Mrou , Lina Saneh, and Joana Hadjithomas and Khalil Joreige. In the Pictures section, Delfim Sardo considers the Portuguese artist Helena Almeida's Inhabited Painting(s) and other works; Brian Sholis on the disquieting appeal of Torbj rn R dland's images; James Welling introduces his new series Dance Project; Olu Oguibe on Samuel Fosso's recent Mao Zedong series; Brian Dillon on Dru Donovan's recreations; Performa curator Adrienne Edwards on how Carrie Mae Weems animates minimalism; a look at the role of image research in the Hong Kong-based duo Zheng Mahler's Performa 15 debut performance; and Kristin Poor explores two approaches to photographing dance, by looking at Barbara Morgan's enduring images of Martha Graham, and Babette Mangolte's photographs of Trisha Brown's dance performances.Binding Type: Paperback
Author: Aperture
Published: 11/24/2015
Publisher: Aperture
ISBN: 9781597113243
Pages: 128
Weight: 1.75lbs
Size: 12.00h x 9.20w x 0.50d
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★★★★★ 5
Nice CK Wallet!
Size: One Size, Color: Black Slimfold, Size: One Size, Color: Black Slimfold
Next-day shipping is fantastic! The wallet is a soft, comfortable, and perfectly sized wallet that fits snugly in my pant pocket. It can hold up to nine cards and an ID, along with two cash compartments. The wallet functions seamlessly without any issues.
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Reviewed in the United States on January 16, 2026
★★★★★ 4
Wallet
Pretty nice wallet, good quality and little small if you have a lot of cards or cash, unfortunately there isn’t a I’d holder where it flips down so you have to dig it out of your pocket.
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Reviewed in the United States on January 7, 2026
★★★★★ 5
Quality wallet
Size: One Size, Color: Black Passcase
Has stood the test of time and still works wonderfully for my husband he is very hard on his wallets and it still looks brand new over a year later standard sized wallet but has a nice sturdy feel
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Reviewed in the United States on March 31, 2026
★★★★★ 5
Good quality
Size: One Size, Color: Brown River Print
Well made. Good price.
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Reviewed in the United States on April 16, 2026
★★★★★ 5
Sleek, Stylish, and Functional
Size: One Size, Color: Black/Neon Yellow
I recently purchased this Calvin Klein wallet, and it absolutely lives up to the brand's reputation for quality and style.
The leather is smooth, soft, and has a clean, professional finish. You can tell it’s made from quality materials. Fits easily in my pocket without being bulky, even with multiple cards and some cash.
Plenty of card slots, a clear ID window, and a well-designed bill compartment. Everything is easy to access.
The CK logo is subtle but classy—not too flashy, just the right touch of elegance.
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Reviewed in the United States on June 16, 2025