SKU: 93266849115

French Bronze Sidetable Rosso Verona Marble 72cm 1800s - Rocaille Lattice

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Description

French Bronze Sidetable Rosso Verona Marble 72cm 1800s - Rocaille LatticeAn Intricately Cast Bronze Sidetable with 'Rosso Verona' Marble and Ornate Rocaille Lattice Work, French (?) 1800s An exceptional and museum quality 19th century bronze sidetable featuring exquisite Rosso Verona marble top and ornate rocaille lattice work. This sophisticated piece (H. 72 cm, L. 64 cm, D. 47 cm) demonstrates the extraordinary craftsmanship and artistic sophistication of French decorative arts during the 1800s. The cast bronze structure

An Intricately Cast Bronze Sidetable with 'Rosso Verona' Marble and Ornate Rocaille Lattice Work, French (?) 1800s

An exceptional and museum-quality 19th-century bronze sidetable featuring exquisite Rosso Verona marble top and ornate rocaille lattice work. This sophisticated piece (H. 72 cm, L. 64 cm, D. 47 cm) demonstrates the extraordinary craftsmanship and artistic sophistication of French decorative arts during the 1800s. The cast bronze structure features four daintily curving legs pierced with floral and rocaille ornaments, creating an intricate lattice that combines structural integrity with decorative beauty. The Rosso Verona marble top adds luxurious material contrast while the overall design exemplifies 19th-century taste for elaborate ornament and quality materials. In good condition with minor age-related wear, this sidetable represents an excellent acquisition opportunity for collectors of French decorative arts, 19th-century furniture, or those seeking distinctive functional pieces combining beauty with historical significance.

French 1800s - Historical Context

The 1800s in France encompassed extraordinary stylistic developments from Empire through Restoration, Louis Philippe, Second Empire, and into the Third Republic. Each period brought distinctive aesthetic approaches while maintaining commitment to quality craftsmanship and luxurious materials. French decorative arts of the 19th century are renowned worldwide for technical excellence, artistic sophistication, and the integration of historical revival styles with contemporary innovation. Furniture and decorative objects from this period document France's cultural leadership and the extraordinary skills of French craftsmen. Works from the 1800s remain highly collectible for their beauty, quality, and historical associations.

Cast Bronze Structure - Technical Excellence

The cast bronze structure demonstrates exceptional foundry work and finishing. Bronze casting requires tremendous skill - creating detailed molds, managing molten metal, and finishing cast surfaces to high standards. The four curving legs' intricate pierced work, the floral ornaments' delicate modeling, and the rocaille elements' sculptural quality all testify to master craftsmen's work. Bronze's properties - strength, durability, resistance to corrosion, and ability to capture fine detail - made it ideal for furniture that combined structural requirements with decorative ambitions. The bronze's preservation after 150+ years demonstrates quality materials and construction.

Rosso Verona Marble - Luxurious Material

The Rosso Verona marble top adds luxurious material contrast and geological beauty to the bronze structure. Rosso Verona, quarried near Verona, Italy, is a distinctive red limestone with characteristic fossil inclusions and varied coloration ranging from pink to deep red. This prestigious marble appeared in important buildings and decorative arts throughout history, prized for its beauty and associations with Italian culture. The marble's use in this sidetable demonstrates commitment to quality materials and the 19th century's sophisticated approach to material combinations. The marble top's smooth surface contrasts beautifully with the bronze's intricate ornament, creating visual and tactile interest.

Rocaille Ornament - Artistic Style

The rocaille ornament references the Rococo style's characteristic decorative vocabulary. Rocaille - asymmetrical shell and rock-work motifs - appeared throughout 18th-century French decorative arts and experienced revival during the 19th century. The ornament's flowing, organic forms create visual movement and decorative richness while demonstrating the craftsmen's ability to translate complex designs into bronze. This rocaille work connects the sidetable to French decorative traditions while showcasing 19th-century technical capabilities. The ornament's quality distinguishes fine period furniture from lesser examples.

Pierced Lattice Work - Technical Achievement

The pierced lattice work represents exceptional technical achievement, combining structural requirements with decorative ambitions. Creating openwork bronze that maintains strength while achieving delicate appearance requires sophisticated understanding of materials, design, and casting techniques. The lattice's intricate patterns allow light to pass through, creating visual lightness despite bronze's inherent weight. This technical virtuosity exemplifies 19th-century French decorative arts' commitment to pushing craft boundaries while maintaining functionality. The pierced work's preservation demonstrates quality casting and careful ownership.

Four Curving Legs - Elegant Design

The four daintily curving legs demonstrate sophisticated furniture design combining structural stability with visual elegance. The legs' curves create graceful lines while their bronze construction ensures strength to support the marble top. The legs' positioning and proportions create balanced composition while their decorative treatment integrates them into the overall ornamental program. This combination of structural engineering and aesthetic refinement characterizes fine 19th-century furniture design.

Floral Ornaments - Naturalistic Beauty

The floral ornaments add naturalistic beauty to the rocaille work, demonstrating 19th-century decorative arts' love of nature-inspired decoration. Flowers, leaves, and botanical forms appeared throughout period furniture, connecting works to nature while showcasing craftsmen's observational skills and technical abilities. The floral elements' modeling demonstrates accomplished bronze work while their integration with rocaille ornament creates unified decorative program. This naturalistic decoration adds layers of visual interest and demonstrates the period's sophisticated approach to ornament.

72 x 64 x 47 cm - Practical Dimensions

The dimensions (H. 72 cm, L. 64 cm, D. 47 cm, approximately 28.3 x 25.2 x 18.5 inches) create practical sidetable suitable for various uses and settings. The height suits placement beside seating or as display surface, the length accommodates lamps, decorative objects, or functional items, and the depth provides stability while maintaining elegant proportions. These dimensions make the sidetable versatile for modern interiors while the scale ensures substantial presence. The proportions' balance between functionality and elegance demonstrates sophisticated furniture design.

Good Condition - Honest Assessment

The good condition with minor age-related wear represents honest preservation after 150+ years. The notation of some screws added for stability demonstrates responsible conservation ensuring the piece remains functional while preserving its character. For antique furniture, such stabilization is appropriate and expected, ensuring pieces can be safely used and enjoyed. The overall good condition allows the sidetable's beauty and craftsmanship to be appreciated while the age-related wear adds authenticity and character. Detailed condition documentation available to serious collectors.

Versatile Function - Modern Use

While created as sidetable, this piece serves beautifully in modern homes for various purposes - beside seating as lamp table, in entrance halls for keys and mail, in bedrooms as nightstand, or anywhere a distinctive surface is needed. The combination of beauty, quality, and functionality ensures the sidetable works in both traditional and contemporary interiors. This versatility, combined with historical significance, makes the piece attractive to both antique collectors and those seeking distinctive functional furniture.

Investment Value and Collectibility

French 19th-century bronze furniture with marble tops and elaborate ornament represents solid investment opportunities. The combination of likely French origin, 1800s dating, cast bronze construction, Rosso Verona marble, rocaille lattice work, and good condition creates strong appeal among collectors of French decorative arts, 19th-century furniture, and bronze works. As authentic period pieces become scarcer and appreciation for 19th-century craftsmanship continues, quality examples show consistent market performance. The sidetable's beauty and functionality ensure it will be valued and used while its historical significance ensures lasting importance.

Display and Presentation

This sidetable deserves placement where its beauty and craftsmanship can be appreciated and its function utilized. The bronze and marble combination works beautifully in both traditional and contemporary interiors, creating focal point while providing practical surface. Proper lighting reveals the pierced lattice work's intricacy and the marble's beauty. The piece's substantial quality makes it suitable for formal rooms while its practical dimensions allow use in various settings.

Cultural and Historical Significance

This sidetable embodies 19th-century French decorative arts' extraordinary achievements, the period's sophisticated approach to materials and ornament, and the integration of beauty with function that characterized fine furniture. It represents the technical virtuosity of French craftsmen and the enduring appeal of well-designed, beautifully made functional objects. The sidetable connects viewers to this remarkable period while demonstrating decorative arts' capacity to enhance daily life with beauty and quality.

Collecting Context

This sidetable appeals to collectors of French decorative arts, 19th-century furniture, bronze works, marble furniture, rocaille ornament, and those seeking distinctive functional pieces combining beauty with historical significance. It would enhance private collections, corporate holdings, hospitality settings, or anywhere the sidetable can contribute elegance and practical utility.

Available for viewing by appointment at Artemisia Fine Arts & Antiques Ltd, Malta. We provide expert consultation, condition assessment, conservation coordination, insurance valuation, and international shipping with specialized furniture handlers. This French bronze sidetable represents an excellent acquisition opportunity. Serious inquiries from qualified collectors welcome.

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SKU: 93266849115

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4.2 ★★★★★
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Verified Purchase
David Taylor
Battle Creek, US
★★★★★ 5
If you're developing games with Godot, you need this book
Format: Paperback
Godot is a fantastic game engine, and it has lots of aids to learning -- written tutorials, video tutorials, sample projects, one of the best manuals I've ever encountered. Still, it's nice to have a physical book you can hold in your lap, make notes in, and use as an overall guide to developing competence in Godot development. This is that book. It's has a logical flow, has genuinely useful sample projects, and is written in a clear, highly accessible style. If you are learning Godot, you can't do better than this book.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 4, 2019
L
Verified Purchase
L. Hall
Alexandria, US
★★★★★ 5
I didn’t really get a full grasp until reading the philosophy behind Godot.
Format: Paperback
Well paced and very readable. I worked through the online tutorials before buying this book but didn’t really get a full grasp until reading the philosophy behind Godot. Though I have been a C programmer for 34 years, and a Java developer for 22 years, and a Python developer for 18 years, I have never been seriously interested in a game engine until my son introduced me to Godot a couple of months ago. Godot is tremendous! I have even used Godot’s UI controls to produce wireframes for business apps.
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Reviewed in the United States on August 24, 2019
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W. Vincent
Pawtucket, US
★★★★★ 3
Solid, albeit abbreviated, coverage of Godot Game Engine 3.0
Format: Paperback
Solid introduction to Godot. Lightly touches on most topics, enough to get you up to speed an moving with it, though I personally would prefer a book that included much more depth on each area covered. Granted that wouldn't be a Sams "in 24 hours" book, but rather more of a "definitive guide" or "bible" which this is not. There's definitely enough meat to sink your teeth into, and being the first (and presently only) available book, it's worth the price. Aside from content, docking one star for difficult to read glossy pages and light weight fonts in code samples... It's difficult to find a good angle to read the book without glare across the page from a light and my middle-aged eyes struggle a bit with the code samples. UPDATE -- I've decided I have to dock another star. While the book is written in English, its authors are not native english speakers. It seems a better job could have been done with editing and review. There are a lot of clunky sentences, and several instances where the instruction is unclear. A small example: "A trick to add a simple outline is to add a new material to the Next Pass property. In this new material, set it to Unshaded, add a Grow of 0.01, change the Cull mode to front, and set its color to black." For someone familiar with all the various groupings of properties in a spatial material node, that might be all the information needed, but this book is (I thought) aimed at people with less experience with the framework. Those handful of properties are scattered throughout several groups of properties, and in the case of grow, there's only a field to enter a value when you've clicked a checkbox first. This may be a minor thing, and one could probably make the argument that materials were covered a couple chapters prior -- though that section doesn't really mention all of these properties... Lots of little assumptions and oversights like that make the learning process a little more frustrating that it could be. The information that's there is still great, but if you have little or no experience with Godot, expect to have to do some extra legwork to fill in some gaps on your own.
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Reviewed in the United States on April 11, 2018
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Verified Purchase
Catboy
Natrona Heights, US
★★★★★ 5
Great for newcomers to Godot
Format: Paperback
Excellent book for beginners with Godot. It will however require some previous programing knowledge this book isn't so much a teaching you to code book instead its an explanation of the Godot software.
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Reviewed in the United States on December 13, 2019
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Verified Purchase
Christina
Phoenix, US
★★★★★ 3
Godot, a Beautiful Engine that is Great for any Budding Developer
Format: Kindle
My background: I am a professional VBA programmer that has used Unity3D as a hobby engine off and on for years. Until Godot, I had zero experience with Python. GDScript (Python-based) is easy enough to pick up once you understand its syntax IF you know other languages. The Review: The Kindle version is great. I have been following along quite easily. So far, I've kept up with what the book has told me to do and have learned quite a lot about about game development in general. Here's the reason for the three star review: I cannot find where to download the assets they talk about in Hour 5. If it came on a disc for the physical copies, that's wonderful! Great for them. That does nothing for the Kindle version. I couldn't find anywhere in the book that said "got to this website to download the files for the projects you'll be doing in this book. So, I came here, where I bought the book from, looking for a FAQ or something that may lead me to where I can download the assets manually. I googled what I thought would find the files with nothing that I could do about it. So, now I am stuck if I want to continue the book and use the assets they're using because there's nowhere clearly spelled out where to get the assets they've cited, page 73, "First, locate the “sprites” folder, which contains all the needed Sprites for this hour, in the accompanying “Godot-Hour 5” folder and copy it into your Godot project folder using your OS’s file explorer". Good luck in your game development journeys! Update 1: Got in touch with the publisher, they told me to get in touch with Amazon after trying to get the assets through their website, which proved to be unsuccessful. Update 2: Spoke with Amazon, they said that they are merely the store, that they can only provide what is given to them to provide. Please contact the publisher. Update 3: Contacted the publisher again about the issue citing what Amazon said. The publisher said they couldn't do anything about it that it is on "Kindle" to rectify. Update 4: Ultimately, I returned the book. I was enjoying the book very much until this issue happened. I am going to rate this book a 1-star because of the fiasco that has to do with the assets that they mentioned in the "Hour 5" chapter that I never got access to. I hope that this helps anyone make a decision as to whether or not to purchase for themselves. Update 5: I downgraded my review from 3-star to 1 star. Update 6: I continued to press this situation with the publisher of the book. Come to find out, Pearson (cited as the publisher) is not the publisher, per-say but InformIT is. I was incorrect about something that I said earlier about there not being anything in the book for the assets download. I found it after digging some more. There is a page that states that you should go to informit.com/register and use a specific ISBN (the book lists it) to register the book for additional content, updates and what-not. I have done so. So, I dug around on the InformIT website looking for the content, hoping that in this whole debacle, I am just dumb. After a lengthy conversation with an associate from InformIT, the files are, infact, not available. The associate has forwarded my problem higher-up and I should expect an answer in 24-48 hours. I will update this review again once I get an answer. Again, I do not blame Amazon. I blame the publisher(s), Pearson and InformIT for this. Also, let it be known that I have purchased the physical copy of the book despite the problems I am having in hopes that I will still get good information from the book overall. Update 7: It's been a while. I thought that my last update was posted. Though, it seems that it was not. Here's the update: After a few back-and-forth with the publisher that ultimately was responsible for the book, they gave me a link to the assets. Since I cannot paste the link, I will say that you can google the assets yourself. If you're interested in them, please google "github godot 24 hours". My first query response was the exact link needed. I sincerely hope that everything that I've stated here helps. I am going to start following along in the book again since I have the assets needed now. I am upgrading my review back to a three-star until I can fully assess the book. I think that it is asinine that I had to jump through the hoops that I did jump through to get the assets that were needed in order to follow along exactly. I don’t have time to be an asset artist on top of a programmer. I also don’t have too much money to buy assets. Thus, having the assets that were necessary to complete the projects as written would have been nice.
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Reviewed in the United States on July 8, 2019

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