SKU: 76102317729

Cool Ghouls – At George’s Zoo

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Cool Ghouls – At George’s ZooAvailable as a Digital Download or on Limited Translucent Red LP (US Pre order from Empty Cellar Limited Edition Red LP Limited Edition of 300 on Translucent Red Vinyl Includes Cool Ghouls Crossword Insert & Download Code Cool Ghouls a band fledged in San Francisco on house shows, minimum wage jobs, BBQs in Golden Gate Park and the romance of a citys psychedelic history turns 10 this year. What better a decennial celebration than the release of their

 


 

Available as a Digital Download or on Limited Translucent Red LP (US Pre-order from Empty Cellar


Limited Edition Red LP
– Limited Edition of 300 on Translucent Red Vinyl
– Includes Cool Ghouls Crossword Insert & Download Code

Cool Ghouls – a band fledged in San Francisco on house shows, minimum wage jobs, BBQ’s in Golden Gate Park and the romance of a city’s psychedelic history turns 10 this year. What better a decennial celebration than the release of their fourth album, At George’s Zoo!

How did San Francisco’s fab four arrive at George’s Zoo? The teenage friendship of complimentary spirits Pat McDonald (Guitar/Vox) and Pat Thomas (Bass/Vox) serves as square one. The Patricks were munching on Eggo-waffle-sandwiches and downing warm Taaka in suburban Benicia years before McDonald would hear George Clinton address his fans as “Cool Ghouls”. The boys played their debut gig as Cool Ghouls at San Francisco’s legendary The Stud in 2011, but there’s no doubt the musical moment cementing the band’s trajectory was much earlier at the 18th birthday party for boy-wonder Ryan Wong (Guitar/Vox) – at the Wong household.

You might remember the Ghouls’ earliest days… McDonald’s hair hung luxuriously past his waist, Thomas dreamt of no longer having to crash on friends’ couches to call SF home and Wong looked forward to turning 21. Cool Ghouls’ Pete Best, Cody Voorhees, thrashed wildly – but briefly – on the drums and Alex Fleshman (Drums), who still claims he’s not really “a drummer”, turned out to be a really good drummer. Thomas would sleep pee on tour. Those were golden days!

Flash forward to today and everything is up in flames. No shows, parties or bars. Cool people are streaming out of SF. It’s been 2 years since the last time Cool Ghouls have even played. The STUD is gone, The Eagle Tavern is for sale and The Hemlock has been demolished for condos. Your boss is an app. Fascism is no-knocking down the door. There’s a pandemic.

Fortunately for us, the ghouls got an album in before it all went to shit, and they made it count. At George’s Zoo includes 15 of the 27 tunes they managed to eke out while simultaneously working through major life moves. It was a 5-month, all out, final sprint down the homestretch (to Ryan’s moving day) with affable engineer Robby Joseph, at his makeshift garage studio in the Outer Sunset (pictured on the cover). Instead of recording the entire album over a few consecutive days – like they’d done with Tim Cohen, Sonny Smith and Kelley Stoltz for the first three LPs – the band took it slow by working through a few songs each weekend after rehearsing them the week before. Robby would cue up the tape, McDonald would throw some steaks on the grill and they’d get to work – much to the neighbor, George’s, chagrin.

These guys have a real commitment to elevating as songwriters, musicians and ensemble players. It’s always been for the music with Cool Ghouls and this long-awaited self-produced outing is a track by track display of the ground they’ve covered and heights they can achieve. Their vocals and trademark harmonies are front and center and out-of-control-good. Ryan’s guitar solos are incredible. The horns by Danny Brown (sax) and Andrew Stephens (trumpet) hit in all the right places. Maestro, Henry Baker (Pat Thomas Band / Tino Drima), plays keys throughout. There’s even a mesmerizing string section (“Land Song”) by sonic polyglot, Dylan Edrich.

None of this growth is to the detriment of the fun, natural, feeling that fans have come to expect from the band. This is a fully realized Cool Ghouls album. It paints a remarkable portrait of SF’s homegrown heroes and the many corners they’ve explored over the last decade. The songwriting, harmony and playing are nothing if not solid. The lyrics are keen. Robby’s recording and mixing sound great start to finish and even better after mastering by Mikey Young. It’s a triumphant addition to their catalogue. Recommended for Stooges and Beach Boys fans alike. Listen and see!

Yes, many things have changed since 2011. Who knows what the 20’s will have in store for life on Earth, let alone the Cool Ghouls? We at least know that 2021 has At George’s Zoo for us, a beautiful keepsake from the Before Times when we used to stand in living rooms together while bands played.

Available on LP / CD / Digital via Empty Cellar Records and Melodic Records worldwide.

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SKU: 76102317729

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I read this thru KU. I LOVED the synopsis. And then I began reading... and it was a DNF at 68% after picking it up and putting it down several times because I really loved the main female character. *****SPOILERS***** Pros: The world is unique, intriguing and fun. The primary female character is bad-a** but not a b*tech or a mary sue. The primary female has depth. I really want to know what happens to her even tho it's been weeks and I don't remember her name. The villains to the point I read are pretty good -- an ever present threat of mysterious and possibly many culprits. Cons: Way, way too many points of view. I stopped counting at 7. It's the prime reason why I don't care about most of the characters or remember their names even when I like them. There's just too many points of view so almost none of the characters have enough book space for the author to properly develop them. This literally killed the book for me. Actually it killed my desire to read. For weeks. The main male is more villain than hero. He agreed to marry the main female then locks her up & eschews her for her sister, all while bad mouthing her as unfit to rule when he never spent any time with her getting to know her. He is actually unfit to rule as he is blind to the woes of his own kingdom and starts off a peace mission to secure a ceasefire through marriage by murdering an inn full of people in her country for no real reason. Plus, he constantly makes promises he does not keep. And it's gross of him to pine for the sister behind the main female's back. ***** As much as I really wanted to see what happened to the main female character, it wasn't enough for me to keep trying to slog thru this book. There was a lot of potential here that just fell short. Hence, 3 stars.
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MaryBeth K
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