SKU: 79718699340

System 5 - Scalp & Hair Treatment - 100ml

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Description

System 5 - Scalp & Hair Treatment - 100mlMerk je dat je haar dunner lijkt te worden terwijl het ook nog eens gekleurd of chemisch behandeld is? Dan is de Nioxin System Scalp & Hair Treatment precies wat je nodig hebt. Deze leave in behandeling is speciaal ontwikkeld voor normaal tot dunner wordend haar dat ook chemisch behandeld is. Je haar ziet er voller uit en je hoofdhuid voelt frisser aan na elke wasbeurt. Wat zijn de belangrijkste kenmerken van de Nioxin System Scalp & Hair Treatment?

Merk je dat je haar dunner lijkt te worden terwijl het ook nog eens gekleurd of chemisch behandeld is? Dan is de Nioxin System - Scalp & Hair Treatment precies wat je nodig hebt. Deze leave-in behandeling is speciaal ontwikkeld voor normaal tot dunner wordend haar dat ook chemisch behandeld is. Je haar ziet er voller uit en je hoofdhuid voelt frisser aan na elke wasbeurt.

Wat zijn de belangrijkste kenmerken van de Nioxin System - Scalp & Hair Treatment?

Dit is stap 3 van het Nioxin System 5 driedelige systeem. Als onderdeel van de Scalp Treatment collectie combineert het verzorging voor zowel je hoofdhuid als je haar in één product.

  • Haar ziet er zichtbaar voller en dikker uit
  • Hoofdhuid voelt direct fris en schoon aan
  • Tintelend gevoel dat de hoofdhuid activeert
  • Vochtbalans in het haar wordt hersteld
  • Haar is makkelijker te stylen en te kammen
  • Geschikt voor gekleurd en chemisch behandeld haar
  • Leave-in: aanbrengen en klaar, niet uitspoelen
  • Beschikbaar in 100ml

Hoe gebruik ik de Nioxin System 5 Scalp & Hair Treatment?

  1. Was je haar met de bijpassende Nioxin System 5 shampoo en gebruik daarna de conditioner.
  2. Dep je haar droog met een handdoek zodat het nog licht vochtig is.
  3. Breng de Nioxin System - Scalp & Hair Treatment aan op je hoofdhuid en door je haar.
  4. Masseer het product goed in op je hoofdhuid.
  5. Niet uitspoelen. Ga verder met stylen zoals je gewend bent.
  6. Gebruik dit dagelijks na elke wasbeurt voor het beste resultaat.

Wil je de verzorging van je haar nog een stap verder nemen? De Hair Booster Serum - 100ml is een gerichte aanvulling die je extra kunt aanbrengen op plekken waar je haar het dunst is. Samen met de System 5 treatment geef je je haar de meest complete verzorging.

Waarom werkt deze scalp treatment zo goed?

Je hoofdhuid voelt na gebruik meteen actiever aan. Dat tintelende gevoel komt van menthol en pepermuntolie, die de doorbloeding aan de oppervlakte stimuleren. Een gezonder doorbloede hoofdhuid is een betere basis voor voller ogend haar. Cafeïne speelt daar ook een rol in: het dringt door tot in de haarzakjes en ondersteunt zo de verzorging bij haaruitval. Gehydrolyseerde zijdeproteïnen hechten zich tijdelijk aan je haar, waardoor elke haarlengde voller en gladder aanvoelt. De Nioxin System - Scalp & Hair Treatment is daarmee geen wondermiddel, maar wel een bewezen manier om je haar er elke dag beter uit te laten zien.

Helpt Nioxin System 5 echt tegen haaruitval?

De Nioxin System - Scalp & Hair Treatment zorgt voor een gezondere hoofdhuidomgeving en maakt haar zichtbaar voller. Het is geen medisch middel tegen haaruitval. Voor wie vraagt of Nioxin System 5 werkt tegen haaruitval: het product ondersteunt een gezonde hoofdhuid en geeft haar een voller uiterlijk, maar vervangt geen medische behandeling zoals minoxidil. Veel mensen gebruiken Nioxin juist naast minoxidil, als ondersteuning om de hoofdhuid schoon en in balans te houden.

Moet ik de Nioxin System 5 Scalp & Hair Treatment uitspoelen?

Nee, dit product spoel je niet uit. Je brengt het aan na het wassen op een licht vochtige hoofdhuid en laat het gewoon inzitten. Daarna kun je je haar gewoon stylen zoals normaal. Dat is precies wat een leave-in behandeling doet: het blijft in je haar zitten en werkt de hele dag door.

Is Nioxin goed voor gekleurd haar?

Ja, System 5 is speciaal ontwikkeld voor chemisch behandeld haar, dus ook voor gekleurd haar. Is Nioxin goed voor gekleurd haar? Absoluut, zolang je het juiste systeem kiest. System 5 is het beste voor medium tot grof haar dat licht dunner wordt. Heb je fijner gekleurd haar met meer uitgesproken haarverdunning, dan past System 4 beter bij jou. Bij twijfel kun je altijd mailen naar [email protected] voor persoonlijk advies.

Nioxin System 5 of een ander product: voor wie is het de beste keuze?

De Nioxin System - Scalp & Hair Treatment is de beste keuze als je medium tot grof haar hebt dat chemisch behandeld is en licht dunner wordt. Je wil geen medisch product, maar wél zichtbaar voller haar en een frisse, actieve hoofdhuid. Dat is precies waar dit product in uitblinkt. Kappers bevelen het Nioxin systeem aan als eerste stap bij dunner wordend haar, vóórdat je naar zwaardere middelen grijpt.

Wil je meer gericht werken aan haaruitval met een sterker serum? Dan is de Anti-Hairloss Ultimate Power Serum - 70ml een betere keuze. Heb je juist last van een gevoelige of snel geïrriteerde hoofdhuid, dan kun je beter kijken naar de Scalp & Hair Relief Step 2 Conditioner, die speciaal is ontwikkeld voor gevoelige hoofdhuid. Voor wie gekleurd haar wil beschermen én verzorgen, is de 3D Expert - Color Lock - 150ml een mooie aanvulling op de dagelijkse routine.

Ingrediënten & overige informatie

Aqua, Niacinamide, Caffeine, Phenoxyethanol, Sodium Benzoate, Benzyl Alcohol, Acrylates/C10-30 Alkyl Acrylate Crosspolymer, Polysorbate 60, Polysorbate 80, Polysorbate 20, Acetamide Mea, Triethanolamine, Peg‑23m, Tetrasodium Edta, Propylene Glycol, Methyl Nicotinate, Peg‑30 Dipolyhydroxystearate, Mentha Piperita Oil, Mentha Arvensis Leaf Oil, Menthol, Trideceth‑6, Camellia Sinensis Leaf Extract, Hydrolyzed Silk, Silica, Biotin, Lecithin, Tocopheryl Acetate, Aleurites Moluccana Seed Oil, Foeniculum Vulgare Fruit Extract, Faex Extract, Acer Saccharum Extract, Citrus Limon Peel Extract, Saccharum Officinarum Extract, Vaccinium Myrtillus Leaf Extract, Citrus Aurantium Dulcis Fruit Extract, Potassium Sorbate

We raden je aan om voor gebruik altijd de ingrediëntenlijst op de verpakking te raadplegen voor de meest accurate informatie. Vanwege productvernieuwing en optimalisatie kan het voorkomen dat de hier vermelde ingrediënten afwijken van die op de verpakking.

Fabrikant Contact:

Manufacturer's name: Wella Germany GmbH
Street address: Berliner Allee 65
City: Darmstadt
Postal code: 64295
Country: Germany
E-mail: [email protected]

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SKU: 79718699340

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4.5 ★★★★★
Based on 17 reviews
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Product Reviews
B
Verified Purchase
Bookworm
Carnegie, US
★★★★★ 5
It's All Right Here. All of it.
Format: Hardcover
I shouldn't even be writing this review because doing so only creates my competition. I'm writing it for Robert McKee out of respect and love for him as one of the best instructors I've never met. I have both STORY and now, DIALOGUE in hardcover, on my Kindle, and the audio version (he narrates his books) in my headphones. I read it, I listen to it and take it with me when I travel. Sometimes I listen and read at the same time. Most nights I listen to the audio version in my sleep. In other words, I eat, sleep and breathe this book. I did the same thing with Story, his other book. I may go to my grave never fully comprehending the vast wealth of knowledge contained in these two books. That's OK. What I can tell you is this. With nothing but STORY as my guide, my very first screenplay took seven months and thirty-five drafts from start to finish. But. That screenplay became a Hallmark Movies and Mysteries feature film. The producers liked it so much they gave me another assignment. That one took six weeks, and they bought the first draft. I'm now working on my fifth script; this one is in the six-figure category, with five figures upfront just for the Treatment. And I owe it all to everything I've learned from studying Robert McKee, supplemented by what I learned from everyone else. Over the past thirty years, I’ve studied with forty plus instructors and highlighted hundreds of books and listened to dozens of recorded seminars. All that information is summed up and thoroughly explained in Robert McKee's two books STORY and now DIALOGUE. I won't live long enough to absorb everything he teaches. And I still study two hours a day as a warm up for my writing. I’d recommend Aaron Sorkin, Warner Hertzog, William Goldman (both Sorkin and McKee say he's the greatest), Blake Synder, Chris Vogler, Michael Hauge, William Akers, and anybody else you can find who’s willing to share their knowledge. Because you never know when a concept you didn’t realize you didn’t understand or needed is going to show up. Especially when presented from a different perspective. Having said that, if you are serious, and I mean dead serious, about becoming a working screenwriter, or any other kind of fiction writer for that matter, then you have no choice but to study McKee like your literary life depends on it. Buy the hardcover, buy the Kindle version, and buy the audio version of DIALOGUE and STORY. And supplement these two works with any other material that speaks to you. If you do this, you will become a first class screenwriter or novelist or playwright, because all three genres are only different ways of presenting a Story. If you can’t commit to this, unless you’re a genius or prodigy, you’re wasting valuable time which could be spent following your true life calling. But if your heart’s desire is to become a working writer, then sooner or later you’ll have to know everything in McKee’s two books. So, you might as well bite the bullet and jump in head first. It's all right here in STORY and DIALOGUE. All of it. Thank you, Mr. McKee. You, sir, changed my life.-- Jimmy Hager
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on September 21, 2016
J
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jk Smiles
Whiting, US
★★★★★ 5
A book on dialogue should be experienced first as a book on tape
Format: Audio CD
I think of this more as a great master class lecture. Dialogue should be seemingly simple (we all talk), but McKee defines its essence and differences for prose, stage and cinema. The bulk is narrated by McKee, but the scene examples are read by voice actors and they do quite well. Even the roots of the English language are examined in order to make better decisions on your character's particular use of words. After listening the 10 hours twice while commuting, I finally picked up the book and read it. The book on tape is a better way to initially absorb the material, while the actual book helps to clarify the info. A must for all writers, especially screenwriters.
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Reviewed in the United States on August 30, 2018
L
Verified Purchase
Lori T. Sly
Fort Morgan, US
★★★★★ 4
Helpful, but not as good as "Story" by same author, and it disses certain genres
Format: Hardcover
This book contains a lot of helpful information on how to write dialogue. It's dense with dialogue analysis and insights, tough to take in by just reading it through once. But it is helpful. McKee covers the three dialogue tiers (said, unsaid, unsayable) as well as how dialogue ties into story turning points and scene conflict type. I still have lots of practice ahead of me to figure out how best to do this in my story. I will definitely use his advice as a guide. He understands dialogue at a much deeper level than I do. However, many of McKee's dialogue examples did not speak to me. While I liked reading the dialogue examples for Breaking Bad, 30 Rock, The Sopranos, Frasier, A Raisin in the Sun, and The Great Gatsby, and agreed they were good, I disliked the dialogue from Shakespeare, Elmore Leonard, Sideways, Fraulein Else, and Lost in Translation. McKee says fine dialogue turns the reader/audience into a mind reader; I guess I'm not interested in movies which expect me to be as much of a mind reader as those latter examples did. I totally missed the subtext of the dialogue in those until he explained it to me as an aside. And that's after I already saw most of those movies! If I have to guess what every character means with every line, that's too much work and too little entertainment for me. Maybe mystery lovers liked the dialogue in "Lost in Translation"; I'm not a mystery lover. McKee quoted one novelist as saying that the crux of good writing is to, "Make em laugh, make em cry, make em wait." Lost In Translation and its dialogue did none of that for me. The subtext was so confusing and subtle that I lost interest in the movie. I can't even remember what it was about anymore, only that it won some award and I had no clue why. McKee says that with rare exceptions, a scene should never be outwardly and entirely about what it seems to be about. Dialogue should imply, not explain, its subtext. An ever-present subtext is the guiding principle of realism. Nonrealism, on the other hand, employs on-the-nose dialogue in all its genres and subgenres: myth and fairytale, science fiction and time travel, animation, the musical, the supernatural, Theatre of the Absurd, action/adventure, farce, horror, allegory, magical realism, postmodernism, dieselpunk retrofuturism, and the like. It's a bit unclear how, if at all, anyone writing in any of these "nonreal" genres should take his dialogue advice. It seems to me that even sci fi scenes need some good dialogue with subtext to be engaging. With McKee, all the accolades go to what is implied and unsaid over what is said. I agree that subtext matters, but for me, he's out of proportion with how much it matters to most people and how hard audiences are willing to work to discover the intended subtext. Also, memorable spoken character lines can elevate movie themes and characterization like nothing else. In the end, I think this book is geared more toward writers who want other advanced writers as their audience rather than the average reader or movie watcher. And McKee admits it is definitely not geared toward sci fi, fairytales/myths, action/adventure, horror or allegory. It's almost as if he's saying those genres can't have excellent dialogue. I disagree. But it was still a helpful book to read, and one I will be thinking about and trying to more fully understand for a long time. McKee understands how character's subconscious drives can deepen what they say or avoid saying, and how dialogue interacts with many other aspects of a story to make it all work together.
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Reviewed in the United States on December 12, 2019
R
Verified Purchase
Ray Pryor
West Palm Beach, US
★★★★★ 5
Amazing.
Format: Kindle
Just like a good movie, the first 10 pages = mind blown. Wow, such really, really good material here. If you're new, this will help you a ton. If you're experienced, this book will help you realize WHY great dialogue is so great, enabling you to create the magic again and again. I love how McKee covers several medias ( screen, theater, novel ) but still stays true and clear on the concept. A virtual masterclass on the subject. One of the best screenwriting books out there, and Yes, it's well worth all the hype.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 18, 2017
K
Verified Purchase
Kindle Customer
Lake Worth, US
★★★★★ 5
So to speak
Format: Kindle
Previews did not show the Table of Contents, but it is worth searching the web for. The coverage includes practical techniques as well as case studies. Notes cover titles on topics over several decades. This book has four parts about what dialogue is, how it can mended, and how it can be created and designed. Trialogue, the third thing through which a pair of characters channel conflict in conversation, is an interesting concept because it overlaps social networks or media and comms devices; it is also looked at historically. Dialogue is reportedly the quickest way to fix a narrative text since it appeals to intuition. Those levels of depth are what the book is about. They can be found in first person voice. The approach could easily fill a site on the order of tropes for favorite titles, but for deconstruction and revision, which are also relevant to works in progress. It talks about finding characters in the dark, though not necessarily from the milieu, unless it were compressed and made to transfer meaning like in poetry, but reflexive so that it is symmetrical to the characters or human nature. If there is a boundary to be found, then this method is going to hit the lines to find out what happens then. The impact on the rest of the narrative elements is discussed. This extends back through the early philosophers, through tragedy, the merging of European roots into English, and the study of personalities to contemporary customs. Voice is plot.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 12, 2017

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