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Operation: Doomsday - The 7" Collection (Boxset w/ 45 Adapters)1999 classic debut album presented as a deluxe set, with Seven 7 Inches on seven shades of colored vinyl; 2 unique DOOM 45 adapters; new artwork by original cover artist Lord Scotch; and customer leatherette outer box with silver foil DOOM mask and logo UNIQUE PRODUCT FEATURES: Seven 7 inches, each a different vinyl color Custom black leatherette outer box with silver foil rendered images of DOOMs famed mask and logo Two never before commercially
1999 classic debut album presented as a deluxe set, with Seven 7-Inches on seven shades of colored vinyl; 2 unique DOOM 45 adapters; new artwork by original cover artist Lord Scotch; and customer leatherette outer box with silver-foil DOOM mask and logoUNIQUE PRODUCT FEATURES:
• Seven 7-inches, each a different vinyl color
• Custom black leatherette outer box with silver-foil rendered images of DOOMs famed mask and logo
• Two never-before-commercially available silver-colored DOOM 45 adapters
• Each 7-inch has a custom sleeve designed by legendary graf artist Lord Scotch (Blake Lethem), who drew the original Operation: Doomsday cover.
• Colored vinyl edition limited to 1,500 copies worldwide.
As the 90s came to a close, hip-hop music was thriving in two separate ecosystems. On one side, Puffys Bad Boy Records, Roc-A-Fella and the rest of the major label world was pumping plenty of shiny music by bling-ed out, made for MTV stars. These pop stars sold truckloads, but it felt like a lot of empty calories.
On the other side of the coin, a very strong underground scene had emerged in the mid-1990s worldwide. Hungry, innovative artists who had no use for the major label system thrived artistically in this ever-growing pond, ranging from Dr. Octagon and Jurassic 5 in Cali, Atmosphere and the Rhymesayers crew in the Midwest, and Company Flow and Definitive Jux in the East, among others.
As the decade closed, from somewhere even beyond both of those poles, a man who would come to rule many corners the underground universe for the next two decades appeared from depths that were darker than most of his fans would ever know: MF DOOM.
The artist formerly known as Zev Love X of major-label-but-underground heroes KMD had disappeared from most fans view in around 1994 – after his brother and artistic co-producer Subroc was killed, and the groups Black Bastards album was shelved by Elektra. By 1997, DOOM started peeking his head up from the grime, with no-distribution singles on Bobbito Garcias Fondle Em label like Red & Gold and Dead Bent.
As other appearances and singles trickled through the underground, by 1999 the album Operation: Doomsday appeared seemingly out of nowhere, again on Fondle Em, and fans who actively ran from the glitzier side of rap music ate it up like they had been on a hunger strike. Musically raw and at-times off-kilter, former Fondle Em singles like the aforementioned tunes plus Gas Drawls, Hey! and Go With The Flow were joined by a whole slew of new tunes. It all sounded familiar but new at the same time.
It shouldnt be overlooked that in addition to the dusty, wobbling music, the former Zev Love X completely changed up his vocal style on the tracks that would land on Doomsday, chopping his flow up and bringing a whole new approach to his formerly liquid, and often humorous lyricism.
Standouts on this bonafide underground masterwork are honestly hard to pick, since fans each have their own DOOM faves. But Doomsday, Rhymes Like Dimes, The MIC, the experimental Tick, Tick… (with MF Grimm) and Red & Gold (with King Ghidra) are great examples of how stretched-out this visionary album is.
This new 7-Inch Collection edition via Get On Down includes seven 7-Inches that run in order of the songs from the original issue (including interludes). The records are housed in a custom black leatherette outer-box that is laced with silver-foil renderings of DOOMs legendary mask and bubble graffiti logo on the outside, and a never-seen-before DOOM drawing by the legendary Lord Scotch, the original artist behind the Operation: Doomsday art, on the inside.
In addition to holding the 7-inch vinyl, the box also contains two metallic-silver colored 45 adapters, each a 3D rendering of DOOMs gladiator mask. Picture sleeves for each of the seven pieces of wax all feature brand new work by Lord Scotch (Blake Lethem aka KEO aka Scotch79th) as well: new hand-lettered track listings on one side, and incredible new color illustrations on the flip that, when laid side-by-side, fit together like puzzle pieces, to form one large image.
Each seven-inch comes in a unique vinyl color: Purple Transparent, Red Transparent, Lime Green Opaque, Orange Opaque, Yellow Transparent, Turquoise Opaque, and Classic Black. The set also includes a booklet, and is wrapped in a Japanese-style OBI strip that features the OG album cover in all of its glory.
This absolutely unique package is limited to 1500 copies on colored vinyl, and they will go fast.
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4.0 ★★★★★
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★★★★★ 5
Good book
Format: Paperback
Good book
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Reviewed in the United States on July 28, 2021
★★★★★ 5
Bought it for me and a friend
Format: Paperback
Excellent Book !
A must read !
TYRONE C .
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Reviewed in the United States on June 15, 2019
★★★★★ 4
Buy it
Format: Paperback
Just finished reading it. It’s a good, easy read.
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Reviewed in the United States on June 8, 2019
★★★★★ 5
Quality Book
Format: Paperback
Quality book.
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Reviewed in the United States on December 14, 2019
★★★★★ 5
There is a war... for your Mind!
Format: Kindle
"There is a war... for your Mind!"
That's the slogan of InfoWars, the incendiary conspiracy news network and nutritional supplement marketing firm. And while Alex Jones is wrong about almost everything, he's right about that. In LikeWar Singer and Brooking ably synthesize a sophisticated picture of information warfare in 2018, drawing from sources as diverse as Taylor Swift, Donald Trump, and ISIS, to argue that the internet has lead to a blurring of lines between consumer, citizen, journalist, activist, and warrior which threatens the foundations of liberal democracy. The tech companies which built these platforms and profited from them must grapple with the politics of their technologies, before we all reap the whirlwind.
Computer networks and smart phones connect billions of people, allowing ideas to flow faster than ever before in history. Sometimes, the results can be impressive. The Chiapas Zapatista movement in 1994 was a dial-up and fax version of a network insurgency that managed to bring enough international opprobrium on Mexico that the government blinked, and reached some kind of political accord (Chiapas is complicated). More recently, Eliot Higgins and a team of open source analysts at Bellingcat managed to track down the exact BUK missile system and Russian soldiers responsible for shooting down MH 17 in 2014.
But there are a lot of dark sides. When people connect, the emotion that spreads most rapidly is anger. Lies spread five times faster than truth. Musicians can use social networks to directly connect with their fans, and ISIS uses it to connect with alienated Muslim youths worldwide. Social networks sort diverse citizens into filter bubbles of people who think alike. Eliot Higgin's careful open source intelligence has a paranoid fun-house mirror version in the QAnon conspiracy, where Qultist decoders find hidden messages from an alleged 'senior white house source'.
And then there is the matter of information war, an area that even now, after years of offensive cyber operations, liberal democracies still don't understand. Hostile propaganda slips into Western news networks and major platforms like Twitter, Facebook, and Instagram are infested with bots. LikeWar can even take a personal toll. Over the course of writing this book, General Michael Flynn went from forward looking full-spectrum commander to head Trumpist conspiracy cheerleader to indicted and plead out felon. Flynn's fall is complex, but it can't be separated from the internet. If the trolls got him, what chance does your idiot cousin stand? The counters, 'citizen truth teams' and senior emissaries to groups vulnerable to recruitment, seem like thin reeds against the coming maelstrom of noise.
LikeWar starts with Clausewitz's dictum that war is a continuation of politics by other means, and there are clear links between cyberspace and physical space. Intensity of hashtags impacted the subsequent intensity of Israeli airstrikes during attacks on the Gaza strip. ISIS used propaganda to create an aura of invincibility that outflanked the defenders of Mosul, while Russia denied that its 'little green men' were even in Ukraine. But the difference is that cyberspace is constructed space rather than natural space. The networks are built, maintained, and owned by real corporations and real people. The internet grew from an anarchic specialized scientific network to a major engine of commerce and communicate with little deliberate government oversight. Section 230 absolved American companies of responsibility for policing content, with major carve outs for copyrighted IP and pornography. Yet as concerns over cyberbullying and counter-terrorism rose, major networks adopted digital constitutions that were permissive towards speech and censorious towards erotica. Policing content is and was possible, but always took a back seat to growth and engagement, the guide stars of Silicon Valley.
The future is if anything, darker. Advances in machine learning and AI allow ever more realistic bots, computer generated DeepFakes where a politician can be programmed to say anything, and personalized targeting of people with exactly the propaganda they'll believe. There are defensive counters, but if I might draw military analogies, what we saw in 2016 was armored warfare circa 1918: clearly the future, but not yet a mature system. Given the pace of technology, we only have a few years before digital blitzkrieg.
I'm extremely online, and I've been following this space for years. I've presented at multiple conferences on this topic, including Governance of Emerging Technologies and Association of Internet Researchers. LikeWar is the book I wish I'd written. Cognizant, forward looking, and deeply researched, it is vital reading for anyone interested in technology or politics.
My only reservation is that I wish the sources were better linked in the text, instead of being buried in static endnotes. Maybe the next edition will push an update.
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Reviewed in the United States on October 19, 2018
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